CLIENT WORK CONTACT

Transfigurations

CLIENT Evan Maines, Pomeroy

Roles Grip, Behind The Scenes

Credits Evan Maines; Director
Noah Vaniglia; Director of Photography

Set grip and behind the scenes videographer, editor, and colorist for Transfigurations, An American Gothic, a short film directed by Evan Maines. Project shot on location in Blanchester, Ohio, at the Kerry Williams home and farm, most recently featured in the David Gordon Green film Nutcrackers.

Where the Mountains Sing

CLIENT Laurel Cove Music Festival

Roles Main Stage Camera Operator, Behind The Scenes

Credits Mesmeric Media; Studio

Where The Mountains Sing is an upcoming documentary about the historic Laurel Cove Music Festival in Pineville, Kentucky. Tucked into the backside of Pine Mountain, the festival plays across an idyllic cove to 1,400 lucky guests each year. Where the Mountains Sing explores the stories of the region, the music, the organizers, the artists, and the fans who make the celebration of Appalachia the legendary event that it is.

Rosette First Anniversary

CLIENT Rosette Tattoo

Roles Videographer, Editor, Colorist

Credits Tyler Barner, Rosette
Hudson Ball, Rosette
Bernard Edmonds, Rosette
Cory Schofield, Mainstay

Recap of Rosette Tattoo’s first anniversary celebration, a pop up flash tattoo event.

Galler-E 2 Release Party

CLIENT
E The Profit

Roles Videographer, Editor, Colorist

Credits Elijah Jouett, E The Profit
Pat Jones, Powerhouse Factories

Social media content covering the release of Cincinnati based rapper E The Profit’s album Galler-E 2, with a concert and art installation at Powerhouse Factories, a screenprinting factory in Newport, Kentucky.

Reality, Theory, and Everything In Between

CLIENT Justin Boh

Roles Videographer, Editor, Colorist

Credits Blink Cincinnati
Justin Boh, Post Humongous
Liam Conway, Oddbeast
Lance Martin
Emiliano Leon

Documentation and content for a projection mapping on top of a mural, as a part of 2026’s Blink Cincinnati.

“Inspired by humanity’s enduring spirit of exploration, this experience drifts between history and imagination, guided by the belief that the edge of our understanding is not a bounary, but an invitation”